Mullen Building, Denver

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One of Denver's sort of hidden architectural gems is the Mullen Building, part of the Saint Joseph hospital complex.

Built in 1933, the Mullen Building was designed as a nursing school and dormitory by Denver architect Temple Hoyne Buell.  Buell was from Chicago and like so many Coloradans, came out West for the treatment of tuberculosis. (I'm sure there is fascinating doctoral work out there on how some city's and regions were founded by a disease trajectory.  Much of Boulder's early history is directly tied to health, well-being and the founding of sanitariums for TB victims.)

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Temple Hoyne Buell

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The Mullen Building is an art deco fantasy, more specifically it is one of the best examples of that strange stylistic hybrid that is vaguely Mayan/Aztec Revival Art Deco.  The vertical bands of dark red brick blast up the facade and over the top of the building's parapet and are oddly akin to a Mayan headress, albeit executed in abstracted brick geometry.  Frank Lloyd Wright's Hollyhock house in LA is probably the most well-known example of this kind of stylistic appropriation, but the Mayan Theatre, also in Los Angeles, built in 1927, is a building that may have influenced Buell. (Denver's Mayan Theatre of 1930 is a another example of Mayan Revival architecture, but one that is explicitly kitsch and although remarkable, likely not an influence for Buell)

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Mayan Revivial movie theatres

The masonry work is truly remarkable.  Almost entirely constructed from standard, modular bricks, the fanciful plasticity of the window bands and especially the entry surround, undulates and flows in brick units.  It as if a very disciplined, obsessive kid spent a long, rainy weekend stacking their lego blocks, one after one. This kind of brickwork is often described as "waterfall" brick, but I hardly think that term does justice to the resolution of this work.  Certainly the brick seems to cascade down the facade, but its simultaneous ascending dynamism sets up a delicate balance that is tempered by the soft, blond brick expanses.  It certainly is the most exciting dormitory I have ever seen, an exuberant expression of what brick can do and how amazing an otherwise simple building can be. I’d like to imagine that long after they retired, the masons took their families by this building - “I made that.”

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shadow plans

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These are shadow plans of buildings currently in design, construction or already built by M. Gerwing Architects and ACI design:build.  The shadow plan is an interesting tool for architects.

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We used to make these by hand by drawing the roof plan and projecting the shadows for a selected day and time.  These images are made from 3D computer models, geo-located, and a day and time selected to best cast shadows that describe the architectural forms.

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Seeing a project from above like this is not expressing a desire to see what the project would look like as you jet out of town, but rather the disposition of forms defined by their shadows give us another perspective on the relationships between forms.

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I usually find that the similarities of these shadow plans are more indicative of an architect's style than looking at exterior or interior images might reveal

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programmatic determinism

a few brief thoughts on the relationships between rooms and the role of functionalism in designing a house

Great Gear Dilema

Boulder is known as an outdoor enthusiast's kind of town.  Almost everyone I know has a plethora of outdoor gear - multiple bikes, skis, helmets of every configuration, packs and bags, tents, stoves, and the occasional kayak and canoe.  Largely this equipment has usurped the car from its usual haunt in the garage.  It is a rare Boulderite who can actually fit their car in their garage because of the ever-expanding collection of bikes if nothing else.

tile, pattern, geometry

As I have probably spoken about in previous posts, we draw no real distinction between architecture and interiors.  They are all a part of crafting a series of spaces that are made of various materials that make up a building.  To that extent, we spend as much time, and often considerably more, choosing interior materials